I've been writing poetry for several decades now. I also tend to edit (and re-re-edit) them. Here are a few of my better organized thoughts.

Monday, January 28, 2008

Wakings


I am riding in a bus...a cab?...
watching the road ahead unwind
through a shadowless desert glare. 
I sit behind the driver, separated
from him by a glass partition.
We stop.  The driver leaves his seat,
turns and comes to where I am. 
He is leaning over me.
He is saying something. Is he asking me
to join him in the front?
His face reminds me of someone,
someone who is dead.
I am confused and cannot move or speak.
This is absurd.
I wait for him to ask again;  instead
I hear the song of an insistent mockingbird
and raise my head. 
The lighted numbers on the clock
tell that dawn is hours away.
I rise and in darkness take
the familiar route: three steps and touch
the corner of the bureau, leftward then,
reaching for the bathroom door.
Back to bed, relieved, I contemplate
turning on the light,
lapsing into printed page
and turning off my mind.
I do not want to see that road again
unwinding into a sunless glare beyond
this local time and place.
I do not want to face
that half-remembered face.
But now a customary light
lights the room.  The mockingbird
is silent.  In the wistaria that droops
above the window, a dove is flittering. 
Twisting and bobbing her head, she calls
Hitherthitherwhither?  Hitherthitherwhither?
Has she forgotten where she put her nest?
I am tired still;  in disarray.
Too much coffee, too much poetry last night.
I must  change my life.   Again.
"Calm down,"  I tell the anxious dove
as I unhinge,
rise,  stretch,  begin
to face an uncontrollable day
unrolling towards another night.
Wakings
I am riding in a bus...a cab?...
watching the road ahead unwind
through a shadowless desert glare. 
I sit behind the driver, separated
from him by a glass partition.
We stop.  The driver leaves his seat,
turns and comes to where I am.  
He is leaning over me.
He is saying something.  Is he asking me
to join him in the front?
His face reminds me of someone--someone
who is dead.
I am confused and cannot move or speak.
This is absurd.
I wait for him to ask again;  instead
I hear the song of an insistent mockingbird
and raise my head. 

The lighted numbers on the clock

show that dawn is hours away.

I rise and in the darkness take

the usual route: three steps and touch

the corner of the bureau, leftward then,

reaching for the bathroom door.

Back to bed, relieved, I contemplate

turning on the light,

lapsing into printed page

and turning off my mind.


I do not want to see that road again

unwinding into a sunless glare beyond

this local time and place.

I do not want to face

that half-remembered face.


But now a customary light

lights the room.  The mockingbird

is silent.  In the wistaria that droops

above the window, a dove is flittering. 

Twisting and bobbing her head, she calls

Hitherthitherwhither?  Hitherthitherwhither?

Has she forgotten where she put her nest?


I am tired still;  in disarray.

Too much coffee, too much poetry last night.

I must  change my life.   Again.

 "Calm down,"   I tell the anxious dove

as I rise, unhinge,

stretch,  begin

to face another uncontrollable day

unrolling toward the night.

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